NEWS – CREATION by DESTRUCTION

20 – 27 July 2021

New solo show upcoming in Depoo gallery in Sofia

November 2019 – march 2020

Images from Automated Self and the video Today’s walk are part of the group exhibition EPICENTRE in Centre del Carme, Valencia, curated by David Quiles Guilló. The exhibition is part of the global art event The Wrong Biennale which aims to nurture digital culture today. Its mission is to create, promote and push positive forward-thinking contemporary digital art to a wider audience through a biennial event that gathers a vast selection of digital artworks, embracing the artists, curators and institutions of today’s digital culture scene.

october 2019

Interviews from Miami: a dictionary was part of DA FEST[7] – International Festival for Digital Art in Sofia I prepared the official trailer for the 7th edition of the festival. Here it is: https://www.youtube.com/watch?v=1u_wOR1ZMeE

july 2019

My work PLAY 2.0 was part of Sense of a City Project which invited eight female artists from Bulgaria, Germany, Italy, and Romania to create special art interventions in Plovdiv’s neighborhoods of Proslav and Trakiya that rethink public spaces based on a survey filled out by inhabitants of these two neighborhoods. These site-specific interventions are the climax/culmination of Bulgarian Fund for Women’s project Sense of a city: Inclusive, Safe and Sustainable Plovdiv, part of the program of Plovdiv 2019 – European Capital of Culture, whose goal is to achieve an organic connection to the city, and to address the challenges its inhabitants face, as well as to reflect the images of their experiences. The art installations are curated by The Fridge, a platform for experimental art processes and original works, founded in 2009 by Ivana Nencheva and Natalia Lenz. The artworks ask uncomfortable and sensitive questions in a direct, fun, and sometimes even painful way. Each of the artists discusses a different phenomenon in the city, such as urban planning, ecology, ethics of the visual environment and, last but not least, the lack of women’s image in public space and its role in society. The chosen approach and locations in both areas are related to the artists ‘ aspirations to express the possible ways of creating an inclusive environment, and at the same time – to recall its functions and collective welfare.